WE’RE STAYING RIGHT HERE - MARCH 2019

Devas artfully intertwines typical war language into the script, using our knowledge of past wars and of men’s struggles to shine, with the help of George Bach’s impressive lighting, a well needed spotlight onto the issue of mental health.
— The Spy In The Stalls
The lighting design by George Bach is very effective especially in the transitions from one reality to another and in creating a sense of the world outside and above the flat
— Pocket Size Theatre

UGLY LOVELY - JUNE 2016

The use of strip lights around a mirrored panel create an excellent mood, and there’s nothing I can criticise about George Bach’s lighting work.
— Hiive
George Bach’s lighting helps you understand the sorry plight the girls are in.
— London Theatre 1

THE FLANNELETTES - MAY 2015

Stark LED strip lights are used to take us out to the street and imaginatively employed at times to good effect.
— Everything Theatre
The choppiness of some of the scenes is smoothed along by George Bach’s clever lighting design
— Stage Seen

CABARET - APRIL 2013

...George Bach’s masterful job... which imbued the show with the shadows and dilapidation to match the growing intimidation and insecurities of 1930s Berlin.
— SCAN Newspaper, Lancaster

STATION - JUNE 2012

There simply wasn’t a weak link in this production, particularly with George Bach’s excellent lighting.
— The Lancaster Guardian
Good staging and lighting.
— SCAN Newspaper, Lancaster